Remakes are typically underwhelming cash-grabs that exist because a studio willed it into existence, but the opposite is true for Bradley Cooper’s A Star is Born. This is Cooper’s directorial debut, and he comes out the gate with a very promising start. The film centers around Cooper as a slightly aged country star who finds himself falling in love with a girl (Lady Gaga) he meets in a bar who has an angelic voice.
Given that this is the fourth remake of this exact same plot, A Star is Born is far better than it has any right to be. It does basically the same thing as the other versions of this story have done, but updates it for a modern time. The film includes elements of pop music that were definitely not there when the first A Star is Born was made back in 1937. All of the new aspects which Cooper brings to the story, such as the excellent soundtrack and the modern feel, greatly improve the film. In fact, Cooper directs this movie with more style and flair than could ever be asked of a first-time director.
Yes, this film has been done before in many different ways, but the one aspect that elevates A Star is Born above other films that deal with similar topics is the electrifying performances. Cooper and Gaga put all of themselves on screen for this film, and there are many times where I forgot who I was watching. Cooper has a surprisingly authentic singing voice, which really helped his character become far more convincing than if he had either dubbed his singing over or gotten somebody else to do it.
Gaga is also an incredibly talented singer, but unfortunately her voice sometimes took me out of the film because every time she sang it just reminded me that I was watching Lady Gaga and not the character of Ally. This is a very minor flaw that probably couldn’t be helped, but it still bothered me.
The standout acting-wise for me was easily Sam Elliott as Cooper’s brother, who is fed up with Cooper’s drinking habits and general laziness. His character is easily the most interesting in the film, and Elliott sells every look and line he gives with acting expertise. There is one scene in particular where Cooper and Elliott are talking in a car near the end of the film that is masterfully acted, but in such a subtle way that many will not even notice it. All this scene needs is a shot of Elliott pulling out of the driveway and it hits harder than any other scene in the entire two hour and fifteen minute runtime.
Unfortunately, this film was nowhere near perfect for me, even though it entranced many others. It starts off great, with a first act that really lets the audience know the personality of the two central characters while showing the audience the magic of their chemistry. However, the more that Gaga’s character get famous and popularized, the more the film starts to lose its touch. By the time the film reached its end, I had genuinely lost interest in the relationship, and ended up not caring as much as I should have about the ending.
The ending (no spoilers, don’t worry) was very tastefully put together and contains the best of both Gaga’s and Cooper’s performances. This would have been great if I hadn’t seen it coming since the first thirty minutes. I have not seen the other versions of this film, so I do not know if they end the same, but I knew in the back of my mind that it would end a certain way, and it did.
Whenever I can predict the ending to ANY movie, that film automatically loses some of its authenticity to me.
The movie is very well crafted and tastefully done throughout, but it never hit me near as hard as it should have. A Star is Born is still worth watching for the performances alone as well as some other pros, but it is nowhere near as masterful as some critics say that it is.
by joel alexander–student life editor